In the early 1970s, many Italian workshops experimented with combining industrial materials and transparent elements. This piece is a faithful expression of this, playing on the contrast between brushed metal and plexiglass.
Likely produced in a small series, it reflects the work of anonymous designers active in Florence during this period, who were sensitive to simple volumes and precise assembly. The structure alternates a metal block and a segment of clear plexiglass, fixed using an interlocking technique common in Italian design of the 1970s.
The condition is good. The metal has a regular and even patina from age. The plexiglass is in perfect condition, without any noticeable scratches. The whole piece maintains a pleasing visual harmony. It measures 24 cm high and 6 cm wide.
From a Florentine private collection, this sculpture fits easily on a shelf, console or desk, where it brings a discreet and balanced architectural touch.
In the early 1970s, many Italian workshops experimented with combining industrial materials and transparent elements. This piece is a faithful expression of this, playing on the contrast between brushed metal and plexiglass.
Likely produced in a small series, it reflects the work of anonymous designers active in Florence during this period, who were sensitive to simple volumes and precise assembly. The structure alternates a metal block and a segment of clear plexiglass, fixed using an interlocking technique common in Italian design of the 1970s.
The condition is good. The metal has a regular and even patina from age. The plexiglass is in perfect condition, without any noticeable scratches. The whole piece maintains a pleasing visual harmony. It measures 24 cm high and 6 cm wide.
From a Florentine private collection, this sculpture fits easily on a shelf, console or desk, where it brings a discreet and balanced architectural touch.
Material: metal and plexiglass
Colour: grey and transparent
Dimensions:
- Height: 24 cm
- Width: 6 cm
Condition: This item is in very good vintage condition.
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